The ancient Mayan calendar so-called December 21, 2012 disaster forecasts, long fascinated by all kinds of edge academics, doomsday addiction and George Noory assistant. In 2012, from the bold new director Roland Emmerich’s disaster epic (10,000 years, the day after tomorrow), which provides the destruction of 250 million U.S. dollars carnival inspiration, like, never seen on the big screen.

Credit to the Mayas: The death of the planet will be in 2012 what is the method of their choice, without imagination. The Earth’s core, we are told, is heated by the sun more and more virulent mutation of unstable points issued by the neutrino. (Maya, a civilization, the wheel has been of little use, clearly defined sub-atomic particles for thousands of years ago, the advent of quantum physics.) On the first signs of this phenomenon – the sudden cracks in the Earth’s surface caused by the rupture of the crust — dismissed at the whim of government officials by the earthquake harmless.

Dilution, but they know better. In fact, the President (description not ironic that the tips of Danny Glover) and his advisers into a hip operation that neutrinos years ago, but chose not to notice the panic that may arise from fear of the public. They do not realize that, even though the film the necessary petitions in the wilderness of a lone voice brings a sad dignity of the type of proceedings (Chiwetel Ejiofor,,), is a fatal process is accelerating much faster than anyone can predict the . Personified in the face of obvious disaster, the Government’s Vanity Fair does not compromise Oliver Platt, who will play the president Douchebaggery secretary.

What gorgeous disaster is. Super first earthquake, which sent Los Angeles to the ocean plummet. Then, volcanic eruptions, in Yellowstone National Park, following a spectacular way, can cover a lot of toxic volcanic ash clouds in North America. In order not to be excluded from the ecological gangbang, killer tsunami, to join the party, the bombing most of Asia, and with the scale of the tsunami Mountain Indian subcontinent. Everest. Emmerich’s panting the CGI is really an unprecedented impact, in its scope.
In addition to majestic massacre, but there is precious little difference in 2012. John Cusack led to a bloated cast, the role of inheritance in a forgotten major handset. Conspiracy-themed play is painful cliches, and stereotypes and subtle lack of any and all common. Its tough message urging the unity of class and cultural boundaries that the surface and the soul. Even the film – no doubt 2012’s most important asset – the visual effects, and sometimes shed distractingly fake. The film even pretend to a false gallingly subversion, overthrow, such as the Vatican, in the spectacular statue of Christ the Redeemer Christian fashion landmarks, while avoiding full of Islamic monuments. (We had put forward, in our interview with Emmerich – click on an eye-opener to hear his response.)

All of this in a confusing clock two hours 40 minutes, far beyond the empty mind of such a disaster film an acceptable length.